Thursday, November 23, 2006
Monday, November 20, 2006
In Memorium
Jerry Fischer was a friend of mine in grad school. He had just begun composition studies in my second year at Truman State. Jerry was a non-trad. He had made his living in software sales of a system that he had devised that took him all over the world. He was an organ player who rarely missed mass. Most of all he was a family man who cared deeply for his wife, children and elderly mother. He had decided, though, that it was time to return to school and study composition. So he drove to Kirksville, Missouri from Quincy, Illinois every Friday for his lessons and the composers master class. He was quiet, thoughtful, kind and always thoroughly engaged. I didn't really get to know Jerry as well as I would have liked. But the person I was able to get to know was an extraordinarily good human being.
On this date three years ago Jerry was gunned down in his driveway by his business partner over a business disagreement. Later that school year we programmed on one of our composers concerts the only piece he completed as a student; a breezy set for flute and piano written about his three cats. It was an extremely emotional day as his family was there, too. And one I'll never forget.
Once again, you're remembered Jerry.
On this date three years ago Jerry was gunned down in his driveway by his business partner over a business disagreement. Later that school year we programmed on one of our composers concerts the only piece he completed as a student; a breezy set for flute and piano written about his three cats. It was an extremely emotional day as his family was there, too. And one I'll never forget.
Once again, you're remembered Jerry.
Saturday, November 18, 2006
I Can't Handel It Anymore
It's Saturday afternoon and I'm at work.
Selling Messiah tickets.
The Community of Christ Church (formerly RLDS) sponsored an annual performance of the Messiah that dates back 90 years. After the performance 2 years ago the church announced they were letting it go after the 2005 performance. Well in swoops our E.D. (read about him here and/or here) and "saves the day" by taking over the performance. Great. Now we get to sell 2 performances of the Messiah. As if o1 isn't bad enough.
I first heard Messiah complete when I was a junior in high school.
I heard it again 2 years ago. The only reason I went was because Jaques was performing the alto solo (not too shabby; actually he was pretty awesome!).
That makes it 10 years between performances. I guess that's okay.
I think perhaps we should use Messiah as a yardstick of good taste. If you ask a person if they like Messiah you can probably deduce that they have little in the way of good taste.
Perhaps we should use Sir Thomas Beecham's orchestration next year!
Selling Messiah tickets.
The Community of Christ Church (formerly RLDS) sponsored an annual performance of the Messiah that dates back 90 years. After the performance 2 years ago the church announced they were letting it go after the 2005 performance. Well in swoops our E.D. (read about him here and/or here) and "saves the day" by taking over the performance. Great. Now we get to sell 2 performances of the Messiah. As if o1 isn't bad enough.
I first heard Messiah complete when I was a junior in high school.
I heard it again 2 years ago. The only reason I went was because Jaques was performing the alto solo (not too shabby; actually he was pretty awesome!).
That makes it 10 years between performances. I guess that's okay.
I think perhaps we should use Messiah as a yardstick of good taste. If you ask a person if they like Messiah you can probably deduce that they have little in the way of good taste.
Perhaps we should use Sir Thomas Beecham's orchestration next year!
Wednesday, November 15, 2006
Friday, November 10, 2006
A Sad Film Score Friday
Basil Poledouris died two days ago of cancer. This week's Film Score Friday will honor his memory with the following:
Big Wednesday
Conan the Barbarian
Flesh and Blood
Robocop
The Hunt for Red October
Lonesome Dove
Quigley Down Under
Starship Troopers
Les Miserables
Tuesday, November 07, 2006
Reich at 70
On October 25th the Warrior Bard and I made the trek (in the rain) to St. Louis for the symphony which, in conjunction with Synergy Vocals, gave a concert celebrating Steve Reich's 70th birthday.
The concert was, for the most part, great. I'm not going to nitpick too much simply because I don't get to hear this kind of programming closer to home that often. It never struck me until the downbeat of the concert just how difficult Reich's music is to actually perform. I take it for granted because the recordings are all pristine and flawless yet still magical. Anyway, you could tell David Robertson and the performers were without a doubt committed to the performance even if it wasn't perfect.
The Program:
Proverb
City Life
New York Counterpoint
You Are (Variations)
I could go on and on about how great most of this music is, but that would be redundant.
It was a great show.
The concert was, for the most part, great. I'm not going to nitpick too much simply because I don't get to hear this kind of programming closer to home that often. It never struck me until the downbeat of the concert just how difficult Reich's music is to actually perform. I take it for granted because the recordings are all pristine and flawless yet still magical. Anyway, you could tell David Robertson and the performers were without a doubt committed to the performance even if it wasn't perfect.
The Program:
Proverb
City Life
New York Counterpoint
You Are (Variations)
I could go on and on about how great most of this music is, but that would be redundant.
It was a great show.
Monday, November 06, 2006
Thank God That's Over
Die Frau and I sing in the Saint Joseph Community Chorus.
"But Herr Vogler, you and die Frau live in KC. Why do you drive an hour every week for this chorus? Surely there must be one closer," you ask. True. We first started dating as members of this chorus so we have kind of a sentimental connection to it. Additionally it's directed by the choir director from our undergraduate college for whom we both have a great deal of respect.
A week ago Sunday (10/29) we had a concert. It was one of those pull out all the stops concerts where we had an organ (the concert was in a church with a really nice organ; actually it was the church at which I was paid to sing for 4 of my 6 undergraduate years) and an orchestra. Luckily there were no dancers.
Now a little background. Early this summer an anonymous donor gave a large sum of money to the chorus to present this concert. So somewhere along the line someone heard a new cantata by Mark Hayes and said, "HEY! I'VE GOT A GREAT IDEA! LET'S PERFORM THIS!". But wait, there's more. They also decided that we should do more-or-less an entire concert dedicated to his...uh...music. And "HEY! WE CAN HAVE HIM COME UP HERE AND PLAY PIANO, TOO!!! THAT'LL BE GREAT!!!"
For those of you that don't know who Mark Hayes is, consider yourselves lucky. His music is supposed to be liturgical but is in reality awful schlock that tries to be spiritually deep where really it's just trite and pedantic (and annoying to those of us that feel it's merely superficial and pandering). We performed several of his anthems and a new cantata, a Te Deum (or tedium if you prefer). Basically it was enough to make my head feel like a tomato in a microwave. To make matters worse, all I heard during the Te Deum was warmed-over John Rutter and even a snippet of "Think of Me" from Phantom of the Opera. There's nothing spiritual about it. It is merely self-serving and says, "Listen to how pretty I am". There's no glorification of the Creator of the Universe anywhere in this music, just glorification in the creator of the music. All things being equal I'd rather have performed some Rutter.
Anyway, I feel very strongly about the programming and there just doesn't seem to be enough new or interesting music being presented. For example, we also performed Randall Thompson's Frostiana set for chorus with piano, orchestra or band this past weekend. It's a nice series of Robert Frost settings (a couple of them are completely uninteresting, but others are good), but I've performed with this group six out of the last eight years and this was the third time(!) we'd performed it (though only the first time with orchestra).
Anyway, for more than just artistic reasons die Frau and I feel as though our time with this group has run its course. We just don't have the time or the resources (not only are we expending fuel, we have to pay dues, too!) to devote to it anymore. In a way it's sad, but we all have to move on sometime and this seems to be the time. So after Carmina Burana in the spring that'll be it.
"But Herr Vogler, you and die Frau live in KC. Why do you drive an hour every week for this chorus? Surely there must be one closer," you ask. True. We first started dating as members of this chorus so we have kind of a sentimental connection to it. Additionally it's directed by the choir director from our undergraduate college for whom we both have a great deal of respect.
A week ago Sunday (10/29) we had a concert. It was one of those pull out all the stops concerts where we had an organ (the concert was in a church with a really nice organ; actually it was the church at which I was paid to sing for 4 of my 6 undergraduate years) and an orchestra. Luckily there were no dancers.
Now a little background. Early this summer an anonymous donor gave a large sum of money to the chorus to present this concert. So somewhere along the line someone heard a new cantata by Mark Hayes and said, "HEY! I'VE GOT A GREAT IDEA! LET'S PERFORM THIS!". But wait, there's more. They also decided that we should do more-or-less an entire concert dedicated to his...uh...music. And "HEY! WE CAN HAVE HIM COME UP HERE AND PLAY PIANO, TOO!!! THAT'LL BE GREAT!!!"
For those of you that don't know who Mark Hayes is, consider yourselves lucky. His music is supposed to be liturgical but is in reality awful schlock that tries to be spiritually deep where really it's just trite and pedantic (and annoying to those of us that feel it's merely superficial and pandering). We performed several of his anthems and a new cantata, a Te Deum (or tedium if you prefer). Basically it was enough to make my head feel like a tomato in a microwave. To make matters worse, all I heard during the Te Deum was warmed-over John Rutter and even a snippet of "Think of Me" from Phantom of the Opera. There's nothing spiritual about it. It is merely self-serving and says, "Listen to how pretty I am". There's no glorification of the Creator of the Universe anywhere in this music, just glorification in the creator of the music. All things being equal I'd rather have performed some Rutter.
Anyway, I feel very strongly about the programming and there just doesn't seem to be enough new or interesting music being presented. For example, we also performed Randall Thompson's Frostiana set for chorus with piano, orchestra or band this past weekend. It's a nice series of Robert Frost settings (a couple of them are completely uninteresting, but others are good), but I've performed with this group six out of the last eight years and this was the third time(!) we'd performed it (though only the first time with orchestra).
Anyway, for more than just artistic reasons die Frau and I feel as though our time with this group has run its course. We just don't have the time or the resources (not only are we expending fuel, we have to pay dues, too!) to devote to it anymore. In a way it's sad, but we all have to move on sometime and this seems to be the time. So after Carmina Burana in the spring that'll be it.
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