A couple of weeks ago I attended the Second International Conference on Minimalist Music, brilliantly coordinated by David McIntire and Kyle Gann (both of whom are linked to their blogs on the sidebar). Luckily it was here in Kansas City so I didn't have to travel. Five days of (largely) fascinating paper sessions and brilliant concerts of beautiful music (much of it from composers whose music I'd never heard). For me the real highlights were hearing Sarah Cahill perform a concert of works I'd never heard (except for John Adams' China Gates) and hearing Charlemagne Palestine perform his organ work Schlingen-Blängen which, sadly, lasted less than two hours. I could easily have listened for another two hours. It was that amazing.
One of the paper sessions proved particularly relevant as the presenter gave a paper on minimalism in The Truman Show. It was actually a great thing for me because it helped me to think about how I wanted to approach film music research. I downloaded the author's dissertation and am slowly working my way through it and - in particular - the bibliography. Yes. I am a serious nerd.
Overall it was really great to be in an environment of collegiality and scholarship with a common interest and was another kick in the pants to get my ass back in school.
Otherwise, not much is new. The munchkin is now four months old; smiley and bubbly (most of the time) and fantastic. We haven't been to the movies since Harry Potter and the Half-Blood Prince (which I found to be far better than its predecessor, Nicholas Hooper's score included). Recently, though, we did watch Bill Maher's Religulous and I have to say I was actually pretty impressed with the restraint he showed. As anyone who has watched his show can attest to, he has a general animus toward religion. However, for the documentary, he seemed genuinely interested in why people feel the way they do about religion and managed to do it with a little less mockery.
That's it. It's not exciting, but that's what it is.
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